Roots and Branches
A Legacy of Multicultural Music for Children
By Patricia Shehan Campbell,
Ellen McCullough-Brabson
and Judith Cook Tucker
Click to listen!
Click to listen!
ISBN 0-937203-55-6 Book/Audio
CD SET $29.95
A
unique book and audio sampler whose roots circle the globe.A collection
of 38 musical memories - songs and singing games-- contributed by
singers from 23 distinct cultures. Here is an "around-the-world"
collection that offers you more than just a shallow encounter. These
refreshingly unfamiliar gems of childhood include hand game songs,
game chants, circle dances, lullabies, work songs, and songs for
listening.
Each contributor has reached deeply into their musical roots, sharing
cherished memories to nurture the many branches of their family
and community trees. These proud culture bearers keep the flame
of their heritage bright, while living and working within the American
mosaic.
These are the roots that anchor us to generations of tradition,
these are the branches that intertwine to create a strong network
of support, intercultural understanding and mutual respect. This
is their legacy to us and our children of all ages, but particularly
3-12.
The Collection includes:
- Selections from Brazil, Cajun, China, England, Eritrea, France,
India, Korea, Japan, Puerto Rico, Malaysia, Mozambique, New Mexico,
Israel, Vietnam, Cambodia, Kiowa/Comanche, Navajo, Russia, Iran,
Ireland, Ecuador, and African-American traditions
- Overview of each culture
- Mini-biography and photograph of each contributor
- Background notes on each song, game directions for each game
- Original language, pronunciation, translation for each song
- Copy-OK musical transcriptions
- Copy-OK Maps showing the country of origin for each song
- Copy -OK Facts and Figures data on easy to read charts for each
culture area
The Audio CD or Cassette includes:
- Every selection in the well-loved version of the contributors,
sung in the original language, a cappella by them or accompanied
by musicians from the culture
- Contributor/Performers include Janice Allen (Georgia Sea Islands),
Bayou Seco (Cajun), Sam-Ang Sam (Cambodian), Katya Ponomareva
(Russia) and many more
About the Authors
Patricia Shehan Campbell, Ph.D.Patricia
Shehan Campbell is Professor of Music at the University of Washington.
She received her Ph.D. in music education with a concentration in
ethnomusicology from Kent State University, where she studied South
Indian mridangam and Karnatic vocal techniques with Ramnad V. Raghavan,
played in the Thai Ensemble and studied Laotian kaen with Terry
Miller and Jarernchai Conpairot. She has served on the faculties
of Washington University in St. Louis, and Butler University in
Indianapolis, where she was chair of the department of music education.
While in St. Louis, she took part in an NEA-funded project resulting
in Silk Sarongs and City Streets, a study of Laotian resettlement
in the U.S.
Her interest in world music has taken her as lecturer and researcher
to Bulgaria, Hungary, China, Japan, Korea, Thailand, India and Australia.
She is a consultant on music in early and middle childhood, world
music education, and Dalcroze (eurhythmics, improvisation, and solfege).
She is author of numerous publications that blend ethnomusicological
and educational issues, including Lessons from the World, Music
in Childhood, Sounds of the World: "Music of Eastern Europe,"
and "Music of Southeast Asia." She is the co-author of
Multicultural Perspectives in Music Education (MENC) with William
Anderson, and three other World Music Press publications: Silent
Temples, Songful Hearts: Traditional Music of Cambodia with Sam-Ang
Sam, The Lion's Roar: Chinese Luogu Percussion Ensembles with Han
Kuo-Huang, and From Rice Paddies and Temple Yards: Traditional Music
of Vietnam, with Phong Nguyen.
Pat has been chair of the Society for Ethnomusicology's Education
Committee, and board member of the International Society for Music
Education(ISME), The College Music society, and the Journal of Research
in Music Education. She is an active member of the American Orff-Schulwerk
Association, the Organization of American Kodaly Educators and the
Dalcroze Society.
Ellen McCullough-Brabson, DMAEllen McCullough Brabson is Professor
of Music Education at the University of New Mexico. she received
her Bachelor of Music degree from the Cincinnati Conservatory of
Music and MM and DMA degrees from the University of Arizona. She
has taken postdoctoral courses in ethnomusicology at the University
of Washington where she studied Yoruba drumming and Indonesian gamelan.
She has taught elementary general music in the Cincinnati, Tucson
and Albuquerque school districts.
An active workshop clinician, Ellen has presented sessions on multicultural
music for ISME, the MENC, AOSA, and numerous state and local teacher
in-service days. She has taught summer multicultural music education
workshops at several universities. Her published articles are on
topics including world musics, Appalachian music, the dulcimer,
and musical instruments from around the world. She was a contributing
author to the MENC publications Writings in Early Childhood and
Multicultural Perspectives in Music Education. Ellen is currently
completing a project on Navajo Songs with Marilyn Hood.
Judith Cook Tucker, MAJudith
Cook Tucker received her BA from New York University (Journalism
and Anthropology), and MA in Liberal Studies, Wesleyan University,
with a concentration in World Music for the classroom. Founder,
publisher and editor-in-chief of World Music Press, she is also
co-author with Abraham Kobena Adzenyah and Dumisani Maraire of Let
Your Voice Be Heard! Songs from Ghana and Zimbabwe, and the composer
of several songs for youth choirs. (For more complete bio, see separate
Publisher Bio page.)
"What a find! This book alone is enough to diversity an entire
music, ESL or social studies curriculum! I have been searching for
a collection like this for a long time. What makes it so wonderful
is that instead of just a pocket full of songs out of context, you've
given us cultural and historical background and a bio of the contributors.
My K-5 music classes pick up the songs and games really quickly,
and the social studies teacher in my school finds the background
and the charts very handy, so we can plan a unit together."
-Barbara Maisonpierre, Music Educator, The Wooster School, Danbury
CT
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